The proposed project is a thorough critical presentation and in-depth analysis of the contemporary street art scene in Athens, Greece, combining the methodology and insights of art history and (urban) anthropology. Politics plays a crucial part in the bloom of an otherwise underground endeavor that has, however, come into the mainstream as of late. My interest in the project sprang from a long-term theoretical involvement in the everyday – mundane – practices, whether in prehistory (as part of my archaeological research agenda) or contemporary life and culture (as part of my anthropology teaching and research). The current situation in Greece, especially Athens, amidst a financial crisis that spread across the south of Europe (from Spain to Cyprus), but struck Greece especially hard in the past decade or so, is ripe for a comprehensive and balanced anthropological inquiry into the politics of the present – as well as past political stances, not solely official politics, but also, mostly, the political (under)currents that mandate the average citizen’s stance and attitude. Nowadays, more than ever, the necessity for a reconsideration of our relationship with the city emerges in its urgency. Athenian graffiti and street art until recently lugged behind developments in the international metropolises (Berlin, New York, London). However, during the past few years, the so-called “crisis years”, admittedly a time of widespread degradation, abandonment and desertification of the city, street art has emerged as a fertile power of expression with political, social, and romantic axes. Graffiti artists and writers, as active members and agents of the urban space, echo the heartbeat of a city that insists on living and holds on to its right to live in ways sometimes spasmodic, but always deeply human.